Not as fun or as charming as the "Hermit Crab" but a little more intentionally designed - and I had to get it out of my system none the less.
Basically, a diesel-electric locomotive retrofitted for all terrain use allowing it to move into a position where it could switch over its generators to power camps, construction sites, etc. This one has been further modified for use in snow.
Ever since working on the 'wasteland scout' I've had a back-burner plan to work on a bunch of different vehicles that have been retrofitted with wheels. Was really nice being able to belt this out in 2 evenings on the couch without worrying to much about it..
The Caldera is the premier stone breaker currently seeing action in the northern territories.
The Caldera acts as the spearhead for the navy's enforcement detachment. Capable of smashing through into coastal and tidal basins traditionally considered unassailable this breaker can clear a path at speed allowing for a dozen support vessels to follow in its cleared wake.
All cannons are elevated and loaded via mechanical assistance and can fire a variety of projectiles ranging from standard penetrators to explosive rounds that can be lobbed ahead to break up stonepack.
The ship is powered by a captive steam system for primary functions and arrays of sterling engines for auxiliary systems. A large central turbine around the collar of the superstructure also harnesses the strong convection current passed from the hull via heat pipes and acts to force air through the ship at high speeds.
The outer plating is created with an alchemic forging process that creates durable, insulated and most importantly, low reaction steel that molten rock cannot bind to.
This started out as a sketch on the iPad Pro using Procreate. At around the halfway point, the limitations of Procreate for compositing and effects were becoming insurmountable so I transitioned to Photoshop for the remainder which helped the workflow but hurt my time given.
This piece started off in the daytime because I felt like night + lava was a bit overdone on my end. But with the coaxing from some friends, I decided that the more dynamic lighting would be the better decision. All of these changes just added to the time spent waffling around without clear final vision.
I had the blessing and curse of taking 2 vacations this year. It wasn't easy to ditch the family and have some time alone but every so often I'd drop a flash bang and get out to try my hand digital painting out in the wild courtesy of my iPad Pro and Procreate.
I never did this kind of stuff even back when I drew traditionally so I am pretty far behind the curve.
Most of you probably know and follow me for my art, so It may come as a surprise that for the past year or so I've also been hard at work as a PM and Designer, making Bring Your Own Base with a small team of friends.
We've been in the planning stages for upwards of 2 years, but work only truly began last October when we got a local prototyping grant that gave us enough runway to hire 2 coders full time. Since then we've carved out a solid, playable alpha build after many prototype iterations, playtests and redesigns.
We still have a long way to go. ALL of the art is currently placeholder and there are still a lot of core features that we haven't started work on yet. Our goal now is to get Greenlit, find a community and shop the rest of production around to a publisher or investor who believes in the potential of our team and BYOB.
If you are interested, we'd love your support and following as we try to push this boulder forward!
After the 30th reading of Dr Seuss's "One Fish Two Fish Red Fish Blue Fish" the creepiness of the last page's image compelled me to render my own take on things. I kept my illustration pretty consistent to the book's image but ramped up the creepy by a few notches to help things along. Most of the work was done in Procreate on the iPad Pro and then finished in Photoshop.
The subject and style aren't really in my wheelhouse so I was interested in how my process would change working primarily on the iPad. Due to all the layer blending styles and Procreate's terrible non-existant folder and masking options the end result included 30-40 layers with very little structure or cleanup - and no easy path to flatten.
Just a quick pro tip to anybody making assets (Especially UI) for Unreal and exporting them with Photoshop Generator. Unless you specify a .png quality level, Photoshop will automatically compress the files as much as possible up to and including indexed 8bit color mode.
It turns out that Unreal can't import alpha channels from indexed .png files - so to make everything work you will need to manually mark each layer to export at full quality. To do this, ammend a "32" to the end of the layer asset.
AssetLayer.png > AssetLayer.png32
A few months ago I picked up work at JB Games making art for Grave Danger. I had never used Spine before or animated anything really since a few classes in After Effects about 10 years ago so was coming into everything pretty green.
One element that I needed to create a workaround for in Spine was how the Spine exporter script used Groups to signify "Skins". This meant essentially that I couldn't use layers while painting different sprites because to export you would have to flatten everything.
One possible workaround I considered was turning each sprite (asset) into a smart object. This would let me have as many layers as I wanted but still allow the Spine exporter to read the 'flat' layer correctly. The problem with this method is that when you are working on a character comprised out of 20 smart objects, your painting flow gets really broken up when you can't quickly jump around adding and tweaking all elements at once.
Below is my solution. It could be wrong, it could be unnecessary because I missed something - or because Spine has since gotten an update - however, It worked out really well for me here and in a few other odd pipelines for the project.
Hopefully, somebody will find it helpful!
One of the last tanks still in service based around conventional chemical weapon systems, the Hammerhead has been around long enough to see the scope of armored warfare change around the introduction of Ultra Capacitors and Railgun based platforms.
Originally fitted with a 150mm smoothbore cannon the Hammerhead proved itself in multiple theaters as an armored platform that could break through and survive both conventional and unconventional warfare.
Now, 45 years past its induction date, the Mark 9 variant of the Hammerhead represents the last chapter of the tank's service life. Deemed unsuitable for a modern mass driver refit, engineers decided to replace the entire weapon system from conventional shell ammunition to a hybrid one capable of loading and firing missiles that can tracking and target air and ground units.
The substantial room in the front of the turret cheeks originally used to store fuel cells for use in partial EV mode were made redundant with power density gains and have been converted to house 2 revolving auto loaders capable of carrying 8 missiles each. The directional doppler radar, multi-spectrum optics, and advanced FCS systems help find targets even obscured by optical and thermal concealment and while relatively slow, the missile payload is highly adaptable and capable of defeating many types of countermeasures with decoys, shielding, and split warheads.
Up-armored with EERA, a point defense laser battery and technically only requiring a crew of one overseer, the Mark 9 Hammerhead's mixture of affordability, reliability, and ubiquity make it a strong choice for embattled governments in the years ahead.
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The original art for this was done in Sketchbook Pro around 2014 at the start of my Recon Vehicle project. I liked the tank a lot but felt (maybe wrongly) that making a recon vehicle could be more interesting than making a tank. Every 6-8 months I considered finishing this piece.
It was only recently, with my purchase of an iPad Pro that I had the time to noodle around with this while watching TV and the like. Instead of taking the design further with more thumbnails I just found myself noodling around on it in Procreate - which is why if you watch the process video you see me trying out dozens of little tweaks and changes - and only towards the end making sure some perspective issues were in check. (Curse procreate for not including an ellipse tool!!!!)
Once the bulk was done, I finalized values, composition, and lighting in Photoshop.
I know in some ways this is a bit more on the "Form" side of things, so some functionality has been sacrificed. Feel free to point it in any case! I really enjoy theory crafting discussions
Lastly, the Handgun is the player's default secondary weapon until they pick up another dropped by an enemy. Simple both in form and function but with a large moving slide to help give it more visual impact.
Keep up to date with our progress at www.bringyourownbase.com andhttps://twitter.com/anvilheadstudio
A big goal of ours for these weapons was to create something that was 80% plausible and 20% pure fantasy. In this way, all the weapons have proper alignments in regards to ammo feeding and ejecting however the reciprocating actions on top and moving magazines and magazine wells are purely there as juice for animation.
The SMG's secondary is a fairly slow moving missile that can help the player zone enemies at medium range or to blast down a few walls when need be.
Keep up to date with our progress atwww.bringyourownbase.com andhttps://twitter.com/anvilheadstudio
The Shotgun allows players to do great alpha damage at close range while the secondary railgun is good for landing medium to long range skill shots or temporarily punching through multiple walls.
Keep up to date with our progress at www.bringyourownbase.com and https://twitter.com/anvilheadstudio
